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  1. Reverend Jetstream HCB Violin Brown

  2. VECCHIO VIOLINO TEDESCO NEUNER & HORNSTEINER video - バン MAESTRO ANTICO скрипка 561

    Interesting old German quality violin - Neuner and Hornsteiner 1924. Mounted are new German silver wound steel core strings with good projection, easy to play while allowing rapid finger performance.

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  3. Legler Nero - Violino Classico

  4. Coppa Borchia Coprimozzo Coppetta Ruota originale Fiat Argento Siena Fiorino

  5. Copia di Lord Wilton violino professionale antico liutaio fatto a mano -

    100% hand oil varnished, 100% handmade. We are committed to resolve all issues in a friendly and satisfactory manner. WE ARE HERE FOR YOU!

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  6. Antico violino rumeno fatto a mano 4/4 con custodia e archetto #012

    Antique Violin 4/4 Stradivari Model. Hard Case and Bow Included. Lacquer on Spirit Base with Antique Finish. Pegs and Tailpiece are made from Rose Wood.

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  7. Suona il violino Volume 1 De Haske METODO MANUALE PER VIOLINO Libro e Audionline

  8. Violino barocco! Antica vernice ad olio, tutto legno europeo! Master Tone #7475

    Baroque Violin ! Master Tone #7475. 1 Pc Back! Andrea Amati 1560 Violin 4/4 Copy!Master Strong Tone!. Giovanni Paolo Maggini Violin 4/4 ! Master Strong Tone. Selected Solid Spruce Top, naturally air dried.

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  9. Violino - Antonius Stradiuarius Cremonensis Faciebat Anno 1716 antico + valigia

    If needed I can send you more pictures (or a video in case of technical devices about the functionality).

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  10. Occhiali party - Chiave di violino

  11. VIOLINO ANTICO OTTOCENTO - VIOLINO 4/4 GL:55,7/K:33,6/Z:3,7/GB:25,5

    ANTIKE GEIGE AUS DEM 19. Laut Bekannter in Italien gekauft. 4/4 Violine. verkaufen wir hier eine. Im Auftrag eines Kunden. Im Auftrag eines Bekannten. SELBSTABHOLUNG oder auch.

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  12. SUZUKI n.17 violino 4/4

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  13. T30+ Master antico violino testa di leone intagliato stile Stradivari 4/4 legno europeo

    His career spanned 71 years. He was born around 1644 near Cremona. He is traditionally credited as a student of Nicolo Amati. This was undoubtedly to achieve the richness of tone achieved by makers from the 16th and 17th centuries in Brescia.

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