CONTENTS Richard Koshalek Foreword Paul Schimmel Introduction and Acknowledgments Paul Schimme Leap into the Void: Performance and the Object Shinichiro Osaki Body and Place: Action in Postwar Art in Japan Hubert Klocker Gesture and the Object: Liberation as Aktion: A European Component of Performative Art Guy Brett Life Strategies: Overview and Selection Buenos Aires-London-Rio de Janeiro-Santiago de Chile, 1960-1980 Kristine Stiles Uncorrupted Joy: International Art Actions 330 Chronology 378 Works in the Exhibition 391 Bibliography
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Designer: Lars Andersson. Maker: Avesta Jernverk (Sweden). Date: 1958. Compact in scale yet unexpectedly weighty, the tray has a satisfying presence in hand and on the tabletop. Equally suited for a desk, entry table, or vanity, it functions beautifully as both utility piece and small design object.
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Japan Usage Item. Do not use in microwave oven, hand wash. - Generally, these fees are collected by the carrier when you receive the item. [ Country of Manufacture ]. Japanese Warranty Only.
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It’s ideal for a religious art collection, a classic interior, or as a symbolic spiritual gift. Authentic antique religious sculpture. Great for collectors of 19th-century sacred art. Condition: Good antique condition – wear to varnish on marble base.
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Delve into the rich tapestry of Chinese history with this exquisite pendant from the Qing Dynasty era. The pendant, featuring the revered "mutton fat" design, is an emblem of traditional jewelry art.
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Delve into the rich tapestry of Chinese history with this exquisite pendant from the Qing Dynasty era. The pendant, featuring the revered "mutton fat" design, is an emblem of traditional jewelry art.
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