This year marks the 120th anniversary of Japanese filmmaker Yasujiro Ozu's birth. From his early silent films to his final features in the 1960s, Ozu perfected a style that stripped away unnecessary plot mechanics and camera movement. In doing so, he produced a cinema whose surface simplicity belies character studies of depth, warmth and on occasion, humour. Dragnet Girl (1933): Sweet-faced Tokiko is an ordinary typist, but come nightfall she's a fun-loving gangster's moll. When her boyfriend strays, Tokiko is forced to reassess her life. Hugely popular when it was released, Ozu's Dragnet Girl remains one of his most enduring silent films.
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